On a dementia ward, care becomes a dangerous game of memories. Geriatric carer Lea (Stefanie Reinsperger) loves her job and uses imaginative role-plays to help her patients bring lost moments back to life. When the unusually young patient Hedda (Karoline Eichhorn) arrives and Lea is reminded of her own mother, she begins to overstep professional boundaries. What starts out as particular closeness and empathy, develops into a reality created by Lea herself, in which past and present, care and personal need, role and identity become inextricably interwoven.

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This comedy format on Sunday in prime-time, hence -and teasingly- entitled “Tomorrow Monday“, was a deliberately in part unpredictable mix of talk show, sketches and interaction with the Flemish public at large, including mass-dares (one caused a monumental motorway queue) and its own printed weekly magazine. Its fictitious character Xavier De Baere, the so-called “professional Goodbye-sayer“, ended each episode in a rattling flood of pseudo-eloquent semi-gibberish drowned in exaggeration, repetition and various elaborate nonsense, fitting his nerdy wrong-size jersey.

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